Luca di Tommè (Sienne, actif de 1356 à 1390)
Madonna col Bambino, detta Madonna della Disciplina Maggiore (Vierge à l’Enfant, dite Madone de la Discipline Majeure), v. 1370.
Tempéra et or sur panneau,
Provenance :
Sienne, Oratorio della Contrada del Bruco.
[1]Sherwood A. Fehm, « Luca di Tommè’s Influence on Three Sienese Masters: The Master of the Magdalene Legend, The Master of the Panzano Triptych, and the Master of the Pietà », Mitteilungen des Kunsthistorischen Institutes in Florenz, XX, 1976.
[2]Sherwood A. Fehm, Luca di Tommè. A Sienese Fourteenth-Century Painter, Carbondale (IL), Southern Illinois University Press, 1986.
[3]Cristina De Benedictis, La pittura senese 1330 – 1370, Florence, Salimbeni Libreria Editrice, 1979.
Notes
| 1￪ | Sherwood A. Fehm, « Luca di Tommè’s Influence on Three Sienese Masters: The Master of the Magdalene Legend, The Master of the Panzano Triptych, and the Master of the Pietà », Mitteilungen des Kunsthistorischen Institutes in Florenz, XX, 1976. |
|---|---|
| 2￪ | Sherwood A. Fehm, Luca di Tommè. A Sienese Fourteenth-Century Painter, Carbondale (IL), Southern Illinois University Press, 1986. |
| 3￪ | Cristina De Benedictis, La pittura senese 1330 – 1370, Florence, Salimbeni Libreria Editrice, 1979. |